"Harbor Sentries"

6x6 oil on panel

framed with an exhibition quality 

light wood contemporary float frame

click here to bid

When I was painting in Maine, I was remembering an exercise we did in Carol Marine's class where we counted our strokes. The purpose was to be thoughtful and clear exactly what we wanted to paint, how it would be painted and exactly what color so that we did not have to go back. The process is harder than you might think. So I tried it on this small harborscape I did in Rockport, Maine. This piece had about 50 strokes, total, and I am happy with the way it came out. I call it Harbor Sentries because the masts and posts look very much like guards. 

This piece is nicely framed with a contemporary float frame.

"The Survivor" (Framed)

Oil on Canvas

12x12

Framed in Contemporary Light Wood Frame

$590

I did this painting in Plymouth, right in the middle of the tourist area, with Plymouth Rock and the tour busses behind me. I had some time to paint, and was dropped off. Looking around this was what I chose. It was a lovely park on the waterfront, with large shade trees and great shadows. All that beauty, and I was drawn to this small tree, bent, twisted, and pruned until there was just one limb left. Maybe I felt a kinship....Later I found out that the tree has a huge fan club, who came out in huge numbers to prevent it from being torn down, and that it is photographed more than the Mayflower! Also people come out and water it in the winter. I guess it's struggle and survival touches us all.

I wish I had painted all fishing boats, but there is a pleasure boat there. I would have called it The SurvivorS, because of the struggle the fishermen have now and how many of them have quit.

"Red Boat"

6x6 oil on panel

$295

It's a good idea not to get too complacent. At all......It was my last day in Rockland. I had struggled all week to put the learnings from Carol Marine's class into my normal way of working, and had finally had a pretty good day on Thursday. So I took on this boatyard (see below) I LOVED the way the tugboat in drydock contrasted with historical and contemporary vessels both in and out of the water. Well, first my panel fell into my palette. Then I had to bungee everything because of the wind. And when I started painting, it was like painting with stickum on formica. I was painting on a surface I did not realize was extra slick. It was awful, but I kept plugging. The "drawing" part was very hard, getting all the parts in scale and place.Three hours later, I finally had a basic cover on the panel and quit. Trust me, you will not see this one., it was really bad. So I had to end the week with something I could handle successfully. 

So I turned around and found the little red sailboat, waiting patiently for me in a small cove. Simple, straightforward, kinda sweet. Ahhhh. at last. A better ending to my two weeks in Maine.

This piece is nicely framed with a contemporary float frame.

"Friendship Harbor Walkway"

6x6 oil on panel

Available at Auction on Daily Paintworks

Starting bid $89

to bid click here

"At Rest on the River" (framed)

At Rest On The River

11x14

Oil on Panel

Gold Frame

$325

When I was in Maine, I met fellow aqua-workout lovers. One lady invited me to paint at her house. She lived on the widening river that runs through Thomaston and becomes a cove to the sea.What a gorgeous view! Though she had beautiful gardens, I stayed on her deck high up and painted the water. The "at rest" refers to the seals (lower right) and birds (center) that regularly take breaks at low tide.

"Let's Get the Paddles" (framed)

Let's Get the Paddles

Oil on Canvas

11x14

gold frame

$325

I was in the Deer Isle "downtown", about a block of small gift shops, food and galleries, looking for a place to paint. Just past the bridge, I saw a small park I'd never seen before, with lovely gardens, a nice bench, shade, and a beautiful view. Counting myself lucky, I set up and spent quite a bit of time on this one, and also worked it a bit in the studio afterward, adding glazes to bring out the canoe contrast, and softening the background. What a nice day! It would certainly be a great place for a paddle!

"Friendship Gold" (framed)

Friendship Gold

8x10

Gold Frame

oil on panel

$225

Friendship, Maine, is a delightful town at the tip of the long finger of land that includes Cushing. There are scenic working waterfront areas and areas more residential, but it has been the inspiration for 3 paintings so far. It is one of those places that makes you want to slow down and just enjoy. I was scouting painting spots and I fell in love with this golden seaweed floating on the waters. I loved trying to push the colors to help you see that shimmering gold.

Beach Near Sunset (framed)

Beach near Sunset

8x10

Oil on Panel

Gold frame

$255

The sunsets are lovely on this side of Deer Isle, which faces west just north-west of Stonington. This piece was painted at Burnt Cove, again with my steering wheel easel. There is a gift shop just past where I parked, and all I saw was a long old interesting looking building. After I had been there a while, a woman came over and told me I could go down to the beach if I wanted - and then she said oh,you are painting. Then she said she needed to get back to work. So after I was finished, I went around the bend a bit and found her with her mother on a picnic table creating some crafts. The gift shop, called Clam Factory Gifts, was in an old building that seemed to go on forever. I stayed quite a while and had a personal tour through it. The most impressive were the dollhouses the woman made, but there was also a large variety of other gifts in the jumble in the back including photography and paintings/drawings. It was a real "downeast experience"!  And just a short way up 15A north, you will actually come to a town called "Sunset".

"Moving Water"

Moving Water

gold frame

6x6

oil on panel

click to bid

One day in Stonington I had dinner early and was very hungry. Feeling like treating myself, I went to a restaurant and ordered a glass of wine before dinner. Well, the wine was all gone before any food came by and by the end of my dinner I could feel that it had really hit me. Knowing that I couldn't drive to my rental like that, I decided to - what the heck - do another "steering wheel easel" painting of what was in front of me. My easel hooks over the steering wheel while I paint small paintings from the materials sitting on the passenger seat. (I Know, it's not so good for the car, but I've got almose 300,000 on this one and believe me, no one will notice!) I figured it couldn't hurt. Turns out I liked the painting, and after finishing, I took a walk, took a bunch of pictures and safely drove back.

"Last Light" (framed)

Last Light

oil on panel

8x10

framed

This is another piece from my steering wheel easel. I love that light when the sun is so low that the water just shimmers while the sky softens. Silouettes become stronger and details fade and we are all taken in by the magic. The location of this piece is a wonderful cove near Stonington and "The Cannery" gift shop which is unseen off to the left.

"After the Rain" (framed)

After the Rain

8x10

Oil on Panel

Framed

$255

Now that I have my "Steering Wheel Easel" that hooks over the wheel, I tried it out in Maine. The first day of my trip, I did three paintings in the car using the easel. I have to be honest with you. There is a limit. When I was painting this piece, it started raining, hard, and I discovered the limit on the use of the easel. You cannot paint out the window if you cannot SEE out of the window. But I did the best I could and when I got this piece home I took a good look and said "no one is going to want that, it is just too grey and boring" So I worked on it in the studio and that's how it got it's name. I think it actually looks like it could be a wet, after the rain scene! This scene is on the causeway that runs from Little Deer Isle to Deer Isle.

"Almost Low Tide" Framed

"Almost Low Tide"

Oil on Panel

8x10

$255

Gold Frame

This is the first of the work from my recent trip to Maine. For this piece, I was in a great spot in Friendship, Maine. It's a beautiful little town at the tip of the landmass. I had brought my lunch and was searching for the right place to feed the soul as well as the body. I found it next to a boat ramp to the water, and I loved the way this angle on it let the water wander back in space. So I enjoyed my lunch and then did this painting. It is totally plein air, with not a touch-up in sight. The rocks in the foreground are loose and awesome. I put this image on the postcard for the show in Cushing, ME on August 10, 2012.

Remembrance -The Pink Chair Project #8 "Sailing Home"

SAILING HOME

Oil on Canvas

16x16

Now Reserved for Sale at end of show

Can Wait List 

Rockport, MA is a special place for me and has always nourished my art. I used to say my car went there all by itself!  So it naturally came to pass that I had to take "Mom" there too. I set up right on the T wharf but instead of doing "Motif #1" (below), the building that has inspired so many artists, I placed the chair on the pier high over the water, looking out to sea, through the jetties on either side. It was a gray day, cloudy, but comfortable. It was a 4 hour session, longer than usual because of the interruptions. The sky was pretty boring, all grey and kind of flat and I said in a kidding manner, "Mom, can you do something about that?" Within 15 minutes, the sky took on a interesting pattern of clouds with tiny bits of blue, which I gladly painted in. I left the water empty until almost the last minute, when a children's sailing school with small sailboats came tacking back home after their lesson. Without thinking, I quickly painted them into the piece, and it was done. Later, after packing up the car, an extreme tiredness came over me. I could barely make it to the bench, where I laid down for a while. Ravenous, I finally got up, and still tired, barely made it to the restaurant. I ate quietly and again, barely made it back to the car. I have never been so tired after painting, and had no fatigue during the painting process. Later, showing the painting to my friend Teresa, a therapist, I told her the story. She said: Lynne, you are doing grief work. You need to plan a nap after every painting. I said I didn't feel sad or grief; I had just been painting. She said "Lynne, look at it! That is grief work if I ever saw it!" Then I saw the powerful message of that small (16x16) piece. I instantly knew the title.

Motif #1   Rockport, MA

I am now sharing my current show with my readers and daily paintworks viewers. This show is currently traveling and will be available for purchase after the travel is completed, around mid-2014. Art work may be held until then with a 10% down payment. E-mail me or see my pink chair project blog, for details

This exhibit tells the story about painting a pink plastic Adirondack chair. The chair represents my mother, Carolyn Elizabeth Pedersen Schulte, of Rochester, NY, who passed on June 5th, 2011. She was a wonderful woman, full of love for everyone around her, and she loved this bright color pink. She was proud of me as an artist and would love what I am doing. I take the chair to favorite places of hers and to places or situations I know she would have liked. It is a way for me to grieve and to celebrate her life. I talk to her as I paint and make sure that she would want to be where the chair has been placed. 

Remembrance -The Pink Chair Project #7 "Centered"

CENTERED

Oil on Canvas

11X14

Delayed Sale

$450

This Painting is Available, see below

When a friend and I took a trip to Cape Cod to paint, a great stop was Wellfleet. We found a perfect spot next to a building with shade and a great view! I found myself carefully positioning "Mom" exactly under the church steeple in the center of the picture. I didn't know why, but I felt it was essential for it to be "just so". It took almost 15 minutes until I was satisfied. My traveling companion asked me why I centered the chair, and I said I didn't know; I seldom use a centered composition. Later looking at it, I realized that this painting emphasizes Mom's central love in life besides her family: her church. The art I create is always zeroing in on the truth and I can usually only read it later.

PAINTING IN WELLFLEET

I am now sharing my current show with my readers and daily paintworks viewers. This show is currently traveling and will be available for purchase after the travel is completed, around mid-2014. Art work may be held until then with a 10% down payment. E-mail me or see my pink chair project blog, for details

This exhibit tells the story about painting a pink plastic Adirondack chair. The chair represents my mother, Carolyn Elizabeth Pedersen Schulte, of Rochester, NY, who passed on June 5th, 2011. She was a wonderful woman, full of love for everyone around her, and she loved this bright color pink. She was proud of me as an artist and would love what I am doing. I take the chair to favorite places of hers and to places or situations I know she would have liked. It is a way for me to grieve and to celebrate her life. I talk to her as I paint and make sure that she would want to be where the chair has been placed. 

Remembrance -The Pink Chair Project #3 - "Camden View"

Camden View

10x14

Watercolor and Gouache

$375

Delayed Sale

This Painting is Available, see below

After doing the two pink chair paintings at the cabin, I realized that I was looking at my new series. The bottom line was that I just didn't want to do anything else and I felt that this process would help me in my grieving. I had sat for a long time with Mom's book, reading again all she wrote about her life. What a gift that was! But now I was ready to move ahead in public and I had a whole day ahead of me. I decided that because it was a rare good weather day, to go up the auto road at Mount Battie in Camden. 

It really caught some eyes as I put the pink chair out on the edge. Tourists enjoying the view were saying "Boy, you really want to be comfortable up here". But as I spread out my paints and sat a distance away, my purpose became clear. Throughout the afternoon, people stopped and talked. I used a combination of transparent watercolor under opaque gouache, a new thing for me this summer, which I like better than transparent watercolor alone. I told the story of my mother and the chair over and over, and gave out the business cards that seemed to please people. Telling it over and over seemed to help me. The afternoon wore on and the crowd thinned. I slowed down as I got near the end, very reluctant to go. But finally, with the sun setting and the chill coming in, I finally picked up my paints and headed home. I really love this piece. I am transported back there instantly when I look at it.

I am now sharing my current show with my readers and daily paintworks viewers. This show is currently traveling and will be available for purchase after the travel is completed, around mid-2014. Art work may be held until then with a 10% down payment. E-mail me or see my pink chair project blog, for details

This exhibit tells the story about painting a pink plastic Adirondack chair. The chair represents my mother, Carolyn Elizabeth Pedersen Schulte, of Rochester, NY, who passed on June 5th, 2011. She was a wonderful woman, full of love for everyone around her, and she loved this bright color pink. She was proud of me as an artist and would love what I am doing. I take the chair to favorite places of hers and to places or situations I know she would have liked. It is a way for me to grieve and to celebrate her life. I talk to her as I paint and make sure that she would want to be where the chair has been placed. 

Remembrance - The Pink Chair Project #2 "Between Sunlight and Shadow"

Between Sunlight and Shadow

12x16

Oil on Panel

$565 Delayed Sale

available 

I was taken at how the chair sat on the line between light and dark in the yard and decided to paint it there. I had been reading Alla Prima, a Richard Schmid book on painting, at the cottage, and I decided to follow some of his advice to create a strong painting. I took a lot of care with this painting, doing an under painting first, so I could check the composition and value areas. I was not prepared for what happened. As I carefully started to paint the pink chair into the work, all of a sudden I sensed the presence of my mother. She was there! in the chair! And she has stayed with me through this adventure.

The underpainting I did first

I completed the painting on site but later touched it up in the studio. When you first do a plein-air painting, there often are areas that are missed or need enhancing. It is a delicate dance to touch up without losing the original feeling. As I sat there ready to work on this piece in my studio, I felt again the sense of Mom being there.

I am now sharing my current show with my readers and daily paintworks viewers. This show is currently traveling and will be available for purchase after the travel is completed, around mid-2014. Art work may be held until then with a 10% down payment. E-mail me or see my pink chair project blog, for details

This exhibit tells the story about painting a pink plastic Adirondack chair. The chair represents my mother, Carolyn Elizabeth Pedersen Schulte, of Rochester, NY, who passed on June 5th, 2011. She was a wonderful woman, full of love for everyone around her, and she loved this bright color pink. She was proud of me as an artist and would love what I am doing. I take the chair to favorite places of hers and to places or situations I know she would have liked. It is a way for me to grieve and to celebrate her life. I talk to her as I paint and make sure that she would want to be where the chair has been placed. 

Remembrance - The Pink Chair Project #1 "Incoming Tide"

Incoming Tide

8x8

contemporary thin maple frame

$275 (delayed sale)

Available

AI had only one day to unpack from my mother's funeral and repack for my planned trip to Maine to paint. Along with my clothes and art supplies, I took a heavy heart to a beautiful cove in Cushing, Maine. Solitude is good for both grieving and for making art. After getting settled and getting acquainted with the area and places I wanted to paint, I started painting. I was in for some surprises. After painting away from the cottage, I decided to paint off of the back deck. But first, I enjoyed the view for a while, sitting in the pink Adirondack chair in the back yard. It matched the shutters of the house. As I rested, I thought of how much Mom would have loved that chair. It was her color, an intense knock-your-socks-off pink. Not thinking much more about it I painted it into the small piece “Incoming Tide” The chair looked good there, adding a touch of color. Little did I realize that the title I gave it was foreshadowing what was about to happen.

I am now sharing my current show with my readers and daily paintworks viewers. This show is currently traveling and will be available for purchase after the travel is completed, around mid-2014. Art work may be held until then with a 10% down payment. E-mail me or see my pink chair project blog, for details

This exhibit tells the story about painting a pink plastic Adirondack chair. The chair represents my mother, Carolyn Elizabeth Pedersen Schulte, of Rochester, NY, who passed on June 5th, 2011. She was a wonderful woman, full of love for everyone around her, and she loved this bright color pink. She was proud of me as an artist and would love what I am doing. I take the chair to favorite places of hers and to places or situations I know she would have liked. It is a way for me to grieve and to celebrate her life. I talk to her as I paint and make sure that she would want to be where the chair has been placed. 

Cove and Dock

"Cove and Dock"

Oil on Panel

8x10

sold

Cape Porpoise in Kennebunkport Maine had a place with very interesting colors in the tide-exposed rocks and I loved the light glinting on the roof of the building and on the dock. I was painting it from the sweet spot I told you about yesterday when a few people stopped by to see what I was doing. They enjoyed the art, and we discussed some of the problems of painting. Later we maintained an on line conversation about the challenges we faced and how we did it. In the fall, they contacted me to buy the painting as a holiday gift. It was all pretty special and we still write!

Framed "The Pink House"

The Pink House

8x10

Oil on Prepared Panel

$255

During my stay at Goose Rocks Beach, I discovered a nearby area that was just as compelling. Cape Porpoise is a wonderful spit of land with a deep cove, active fishermen coming and going, a great place to eat lobster, and beautiful views. It was, however, a bit hard to find parking in a distance where I could walk to my chosen painting sites. Finally I found a little spot where there was parking and the perfect spot to paint out of the way and in the shade! I did a few here. I was across the cove from a bunch of houses and this piece shows several of them, though not in the exact orientation. I liked it better this way!